「2023纽约IYAC TOP国际插画展」
2023 IYAC TOP International Illustration Exhibition, New York
根据权威专家组所制定的IYAC自主知识产权全新评审标准，11个国家21位国际评委专家评委会遵循国际（USPAP）标准，在这里向大家分享本次复赛部分作品。一起来先睹为快吧！
According to the new IYAC independent intellectual property evaluation standards formulated by the authoritative expert group,21 international judges from 11 countries follow International (USPAP) standards,Here to share with you some of the semifinal works.Let's have a sneak peek!
Professional group
专业组" Type="normal"@@-->1.《平行世界-水底生存》
2.《平行世界-我们的世界》
3.《平行世界-无处停歇》
4.《平行世界-争夺》
概述：这是一个对于平行宇宙想象的系列作品。或许在平行世界中我们身处的星球有着完全不同的生态条件，从而人们生活的状态、环境和世界秩序都截然不同。四幅作品中的半圆都象征着星球，和我们一样，在星球之外是无尽的宇宙。
《平行世界-水底生存》：这幅作品中的我们生存在没有陆地的星球，人类适应了水中的生存，和鱼类共享着同样的环境，当海洋成为人类的家园，不知我们对于它是否会有更多的保护。
《平行世界-无处停歇》：我曾经幻想自己能够飞翔，自由地出入任何想去的地方。这幅作品中的人类都拥有翅膀，翱翔在天际。但是他们如同候鸟，只能永远飞行，不能降落停留。或许秩序和自由从来不是那么简单。
《平行世界-争夺》：在这幅作品中的人类并非世界的主宰，也没能成功建立文明。而野兽远比在我们世界中进化的更加智慧。人类是否能战胜其他动物，为此又会付出怎样的代价，最终是否能够获得权力的宝座？
《平行世界-我们的世界》：这幅作品是描绘的我们的世界，高楼、车鸣、人潮以及远处的大海，和平行世界中的我们相比，哪种才是最好的状态？
Summary: This is a series of works about the imagination of parallel universes. Perhaps in parallel worlds we live on planets with completely different ecological conditions, so that people live in completely different states, environments, and world order. The semicircles in each of the four works symbolize the planet, and like us, beyond the planet is the endless universe.
Parallel World - Underwater Life: In this work, we live on a planet without land. Human beings have adapted to living in water and share the same environment with fish. When the ocean becomes the home of human beings, I wonder whether we will have more protection for it.
"Parallel Worlds - Nowhere to Stop" : I used to fantasize about being able to fly, free to go anywhere I wanted. The human beings in this painting have wings and soar in the sky. But like migratory birds, they can only fly forever and cannot land or stay. Perhaps order and freedom are never so simple.
Parallel Worlds - Struggle: The human beings in this work are not the masters of the world and have not succeeded in establishing civilization. And beasts are far more intelligent than they evolved in our world. Can humans overcome other animals, and at what cost, and will they eventually gain the throne of power?
"Parallel World - Our World" : This work depicts our world, tall buildings, cars, crowds of people and the distant sea. Compared with us in the parallel world, which is the best state?
冯燕华China（中国）
“Parallel Worlds”
“平行世界”利用波普艺术描绘了三个女孩各自生活在一个独特的宇宙中，突出了在共同现实中感知的多样性。它使用丰富的色彩和饱和的构图，探索个性和集体身份。背景鱼象征着跨越现实与自然的潜在和谐，是倡导可持续未来的共同主线。这件艺术品是对相互联系、个人身份和我们普遍的生态责任的充满活力的探索。
"Parallel Worlds" employs Pop Art to portray three girls each in a unique universe, highlighting diversity of perception amidst shared reality. Using rich colors and saturaing composition, it explores individuality and collective identity. Background fish symbolize potential harmony with nature across realities, a common thread advocating for sustainable futures. This artwork is a vibrant exploration of interconnectedness, personal identity, and our universal ecological duty.
周余凌
America（美国）
“Nyc street（ new newyorker）/ Rats and met”
Sylvia Fangqi Chen
Canada（加拿大）
"In the Parallel World - Humanity Rescuing Nature,
or Nature Rescuing Humanity?"
The inspiration comes from the delicate balance between human development and nature.
灵感来自于人类发展与自然之间的微妙平衡。
Jia ZhongChina（中国）
"Parallel World"
何雨锾
China（中国）
"Four Seasons"
这幅名为《四季》的作品大胆地用色彩描绘了大自然的循环舞蹈。抽象、具象和富有想象力的元素交织在一起，以充满活力的细节捕捉每个季节的本质。它采用松散、旋转的笔触，在视觉上表达了季节的相互联系，每一个季节都从一个季节演变到下一个季节。《四季》是对自然节奏的大胆探索，在表现时间的连续流动中，表现出艺术性和观察力的和谐融合。
Titled "Four Seaons," this artwork daringly uses color to depict the cyclic dance of nature. Abstract, representational, and imaginative elements intertwine to capture the essence of each season in vibrant detail. Employing loose, swirling brushwork, it visually articulates the interconnectedness of seasons, each one evolving from and into the next. "Four Seasons" is an audacious exploration of nature's rhythm, exhibiting a harmonious blend of artistry and observation in representing the continual flow of time.
吴若溪
China（中国）
《梦植园》
这组故事发生在花园里，每幅作品都渴望展现不同空间世界中美丽的相遇。各色相遇的充满诗意且理想化的呈现，寄托我对人与人关系或人与环境的最美好愿景。比如小兔子在屋顶花园里享受与自己的独处，或是阳光下农村花园里老夫妇与青年人温暖的邂逅，又或是人类孩子在花海里为外星朋友庆祝生日......现实也许复杂而不完美，甚至残酷而令人难受，但是我选择种植美好的梦境，缓解焦虑和不安。所以观者你看，无论何时何处，花园里总有温情绽放。
This set of stories takes place in a garden, and each piece aspires to show beautiful encounters in different spatial worlds. The poetic and idealized presentation of various encounters expresses my best vision of human relations or people and the environment. Such as a rabbit enjoying solitude in a rooftop garden, or an old couple having a warm encounter with young people in a rural garden under the sun, or a human child celebrating an alien friend's birthday...... Reality may be complex and imperfect, even cruel and uncomfortable, but I choose to cultivate beautiful dreams that relieve anxiety and restlessness. So you see, whenever and wherever, there is warmth in the garden.
High school group
高中组
Zhaoxi Chen
China（中国）
"God's Masterpiece "
从上帝的角度来看，这个世界有小星星和浩瀚的宇宙。他手指的方向有无限的可能性。它不仅点亮了先进的科技，也点亮了他食指指尖那只蝴蝶的浪漫。
From the perspective of God, the world has small stars and vast universe. The direction of his finger has infinite possibilities. It not only lights up advanced technologies but also the romance of that butterfly at the tip of his index finger.
Jeffrey Liu
America（美国）
"Moments Suspended"
想象你自己是一粒沉淀物，沿着河流的水流缓缓漂流。现在想象一下从线性的旅程中解脱出来，到达安全的海岸。在我名为“瞬间暂停”的创作中，我邀请你去探索一个人类已经超越了时间无情潮流的限制的世界。在这里，过去、现在和未来的传统概念融合成一幅相互关联的挂毯。
Imagine yourself as a particle of sediment, gently drifting down the currents of a river. Now envision breaking free from that linear journey, reaching the safety of the shore. In my creation titled "Moments Suspended," I invite you to explore a world where humanity has transcended the confines of time's relentless current. Here, the conventional notions of past, present, and future dissolve into an interconnected tapestry.
在我的作品中，这个概念在环绕着一个神秘星球的复杂的环系统中找到了它的视觉体现。这些环的单向轨道是我们逃离传统年表的深刻隐喻。为了强调这一主题，我选择了结合一场田径比赛的图像，这是时间流逝的象征性代表。然而，一个惊人的转折出现了——后代拥有观察整个时间的非凡能力。他们同时见证了种族的三个关键时刻，这一壮举象征着他们从时间的束缚中解放出来。
This concept finds its visual embodiment in the intricate ring system encircling a mysterious planet within my artwork. The unidirectional orbit of these rings serves as a profound metaphor for our escape from the traditional chronology. To accentuate this theme, I've chosen to incorporate imagery of a track race, an emblematic representation of time's flow. However, a striking twist emerges—future generations possess the remarkable ability to behold the entirety of time. They witness three pivotal junctures of the race concurrently, a feat symbolizing their liberation from temporal constraints.
这件作品的起源起源于纸上，在那里我的艺术探索的第一笔成形。随后，我无缝地整合了数字元素，增强了叙事的深度和复杂性。“瞬间暂停”证明了我对时间超越的迷恋，通过传统和当代艺术媒介的融合将其带入生活。
The genesis of this piece originated on paper, where the first strokes of my artistic exploration took shape. Subsequently, I seamlessly integrated digital elements, enhancing the depth and intricacy of the narrative. "Moments Suspended" stands as a testament to my fascination with temporal transcendence, brought to life through a fusion of traditional and contemporary artistic mediums.
Maggie Li
China（中国）
"Time Travel"
《时间旅行》反映了我的观察，现代人生活在一个沉迷于手机的世界里，每个人都想要同样的东西，他们的个性和特征都变成了同样的东西。从相似的条纹衣服和头发可以看出，他们的个人主义似乎被剥夺了。这件作品的一个喜剧细节是，阿尔伯特·爱因斯坦的头顶上挂着一张海报，倡导人们远离手机，走进大自然。然而，现代人要么看到它而不在乎，要么被手机分心而没有意识到这一点。相比之下，通过蓝色，古代人来自不同的背景和个人主义，他们穿越到未来，看看现代人是什么样子，对科技的发展感到有趣，但对现代人使用科技的方式又有点失望和好奇。古人头顶上的文字细节表明了他们对形势的看法。例如，在苏格拉底的上面，它说:“为什么人们会沉迷于他们的手机?”它通过问“为什么”来表明这是从哲学家的角度出发的。另一方面，后排的艾萨克·牛顿说，“我看到的是苹果吗?”因为他的头被苹果砸了，而苹果是手机的品牌。
"Time Travel" is a piece that reflects my observations that modern people live in a world in which they are addicted and attached to their phones to where everyone wants the same things, in which their personalities and traits all morph into the same thing. It is as if their individualism is taken away from them, demonstrated by the similar striped clothing and hair. A comedic detail of this piece is that above Albert Einstein's head lies a poster that advocates for people to get away from their phones and to go into nature. However, the modern people either see it and don't care, or they're too distracted by their phones to realize it. Contrastingly, through the blue color, the ancient people are from different backgrounds and are individualistic as they travel into their future to see what the modern people are like and are amused with how technology has developed yet slightly disappointed and curious with the way the modern people use it. The detail of the words above the ancient people's head demonstrate their person take on the situation. For instance, above Socrates, it says, "Why are people stuck to their phones?" it shows that this is from the perspective of a philosopher by asking "why". On the other hand, Issac Newton in the back says, "Is that Apple I see?" since he was hit on the head by an apple, and Apple is the brand of the phone.
Junior high school group
初中组
Amy ZhangAmerica（美国）
“Catnap”
通过一本书，女孩和她的猫逃离了现实世界，穿越时间来到了一个没有颜色的旧维度。每本书都包含着自己的世界，等待着你去发现。当她阅读和探索这个新的领域时，女孩逐渐给它带来了色彩，把这个地方从异乡变成了她自己的隐居天堂，她可以随时访问。
Through a book, the girl and her cat escape the real world and travel through time to an old dimension devoid of color. Every book contains its own world, waiting to be discovered. As she reads and explores this new realm, the girl gradually brings pigments to it, changing the place from a foreign land to her own secluded haven that she can visit whenever she wants.
Dia Wang
America（美国）
“Flying Toward The Future”
飞向未来代表了在向未来移动时发生的变化。
这幅画的主角紧紧抓住一条飞鱼，朝着未来的亚特兰蒂斯飞去，就像海浪一样。
当海洋靠近这个结构时，它失去了原来的生命，变成了更机械的东西。
虽然人物意识到未来带来的变化，但他们仍然忍不住把这个结构看作是一个明亮的希望，把过去的生活抛在身后，面向未来。
Flying Toward The Future represents the change that occurs when moving towards the future.
The main figure of the piece is seen clinging onto a flying fish heading towards a futuristic Atlantis of sorts, resembling an ocean wave.
As the ocean nears the structure it loses its old life and changes into something more mechanical.
Though the figure is aware of the change the future brings, they still can't help but see the structure as a brightly lit hope, leaving their previous life behind for the future.
Yiting.Yu
China（中国）
"Migrate"
鹤在世界上已经存在了数千万年，它们的迁徙也经历了数万年。在这几个月的停留期间，鹤会寻找实物并自行繁殖。随着时代的变迁，鹤类也在不断地适应生存环境。蘑菇象征着春天的到来，丹顶鹤也即将踏上新的旅程。
Cranes have existed in the world for tens of millions of years, and their migration has also gone through tens of thousands of years. During these few months of stay, cranes will search for physical objects and reproduce on their own. With the changes of times, cranes are also constantly adapting to their living environment. Mushrooms symbolize the arrival of spring, and the red crowned cranes are also about to embark on a new journey.
Primary school group
小学组
Meiheng Xiao
America（美国）HE AR （Tianpei He）
《万能世界》
我选的主题是平行世界，我想到了许多元素，金字塔，人，金属框架，流体建筑等等，我把脑海中的想象组织在一起，通过丰富的颜色表达平行世界里的抽象，美好，不可思议。
The theme I've chosen is "Parallel Worlds." I've thought of various elements, such as pyramids, people, metal frameworks, fluid architecture, and more. I've organized the imaginative ideas in my mind and used rich colors to express the abstract, beautiful, and unimaginable aspects of parallel worlds.
Kayla Zhang
America（美国）
“Pondering Possibilities”
“思考的可能性”描绘了一个年轻的国际象棋选手在比赛中的想法。这幅画描绘了这个男孩同时计算许多不同的场景，同时通过展示棋手脑海中发生的所有疯狂的事情来展示国际象棋的共通性。
"Pondering Possibilities" portrays the thoughts of a young chess player during a game. The art depicts the boy calculating many different scenarios at once, and at the same time showing the complicity of chess by displaying all the crazy things happening in a player's mind.
李锦文
China（中国）
“Galaxy seasons”
宇宙万物看似纷繁复杂，不过是在有无之间循环，结束是新的开始。生死如此，昼夜更替如此，四季轮转亦如此。四季交替之间是自然的法则，也许春夏和秋冬永远不能相逢，却也成全了一个又一个的春花秋月。这是属于宇宙的浪漫。
由四季构成的环形，既是有无之间的一种哲学表达，也是对宇宙万物生生不息的思考，人在其中渺小如尘埃，人在其间永远有自处的空间。
Everything in the universe seems to be complicated, but it is a cycle between what is available, and the end is a new beginning. So is life and death, so is day and night, so is the rotation of the seasons. Between the four seasons is the law of nature, perhaps spring, summer and autumn and winter can never meet, but also to fulfill one spring and autumn moon. This is the romance of the universe.
The circle formed by the four seasons is not only a philosophical expression between existence and absence, but also a reflection on the endless growth of all things in the universe, in which people are as small as dust, and people always have their own space in it.
Elizabath Zhou
Australia（澳大利亚）" Type="normal"@@-->《时空狂奔》
About IYAC
IYAC拥有强大的学术背景支持，是由美國紐約當代藝術中心(Contemporery Art Center of New York)、美國亞洲美術家協會(Asia Artists Association of USA)、新加坡青少年與兒童教育協會(Singapore Youth Children Education Assoclation)、(社)京都中國書畫院(Kyoto Chinese Painting And Calligraphy Academy)、日本京都國際交流會館(Kyoto International Conference Center)、美國華仁協會青少年藝術中心(CAFC Youth Art Center)、俄羅斯聖彼得堡美術中心(St. Petersburg Arts Center Russia)、日本中華文學藝術家合會(Japan Chinese Literature and Artists Federation)、日本南風水墨畫(Japan South Wind Ink Painting Association)、日本東京醉墨會(Tokyo Drunken Ink Association)、日本国際交流會館(Japan International Cultural Exchange Assoclation)、日本廣島国際書芸交流會(Japan-Hiroshima International Calligraphy and Art Exchange Association)、日本東京水墨画墨蘭會(Tokyo Ink Painting Inkan Society)等机构联合主办的高级别年度艺术插画赛事。
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