Gao Mingzhu, born in August 1952, with the courtesy name Jingzhi and the pen name Xunjingzhai, was originally from Dengzhou, Henan Province. He currently resides in Beijing and is a Mao style calligrapher, poet, master of Chinese studies, a century old master, and winner of the "Five One Projects" award. The Minister of Traditional Chinese Art Heritage of the State Administration of Press and Publication, the President of the International Intangible Cultural and Art Promotion Association, the Deputy Secretary General of the Global Chinese Entrepreneurs Alliance, has been appointed as the Art Consultant of the New Era Cultural and Art Talent Center by the China Federation of Literary and Art Circles and the Cultural and Art Talent Center of the Ministry of Culture, the Art Consultant of the Social Art Professional Committee of the China Oriental Culture Research Association, the Advisor of the China Mao Calligraphers Association, and the Advisor of the China Traditional Culture Development Committee. Served as the Chief Expert of the National Art Professional Title Examination Center, Visiting Professor of the Calligraphy Department of the Central Academy of Fine Arts, Honorary President of the Central Academy of Fine Arts Calligraphy and Painting, Vice President of the Chinese Hanlin Calligraphy and Painting Academy, Director of the Chinese Popular Literature and Art Research Association, Member of the People's Fine Arts Artists Committee, and Researcher at Sotheby's Research Institute. Chinese Ambassador of the State Guest Ceremony, Master of Chinese Art Schools, and Designer of the "Lanting Gaoming Column" Font. Chinese intangible cultural heritage inheritors and creators of the first batch of Chinese cultural celebrity studios: Gao Mingzhu Studio and Gao Mingzhu Art Museum. Awarded: Son of the Orient, a generation of Fang family, People's Artist, one of the top ten contemporary Chinese artists with both virtue and art, one of the top ten contemporary Chinese cultural scholars, with a Master's degree in Calligraphy and a PhD in Art from the Royal Academy of Fine Arts in France. He has won the Academic Award of Chinese Literature and Art Circles, and the Lifetime Achievement Award of Chinese Culture and Art Festival: Golden Monkey Award, Golden Rooster Award Award, and Golden Dog Award. Published works include "Gao Mingzhu Calligraphy Collection", "Art Master Gao Mingzhu", "Centennial Master Gao Mingzhu Art Collection: Selected Works of Ethnic Art Master Gao Mingzhu", "Ambassador of Chinese State Guest Ceremony: Gao Mingzhu", "CCTV Focus Person: Gao Mingzhu", "Influential Figure in the Art World: Art Master Gao Mingzhu", "Master of Chinese Studies: Appreciation and Collection of Gao Mingzhu Famous Posts by National Treasure level Artists", "A Generation of Fangjia: Gao Mingzhu Famous Artists"
Appreciation, the Belt and Road Summit Forum, Famous Chinese Calligrapher Gao Mingzhu, Calligraphy Collection of Chinese Modern Masters, Gao Mingzhu's Big Red Robe Album, etc., Collection Appreciation, Collection of Chinese Modern Calligraphers and Painters, a book, will be presented to the National Library.
Mr. Gao Mingzhu was influenced and influenced by his ancestors, and has had a passion for calligraphy and poetry since childhood. He graduated from Henan Calligraphy Correspondence College and the Calligraphy Training Center of the China Book Association. In the early 1960s, he started learning regular script, clerical script, seal script, and Chairman Mao's poetry handwriting. In the 1980s, he began learning Wang Xizhi's calligraphy and the calligraphy of famous calligraphers throughout history. He has been working quietly for decades, never stopping by the pond. In the process of creation, he is good at drawing on the experience and essence of art of previous generations, advocates that art comes from life, excavates materials from ordinary life, and is good at observing, thinking, refining, sublimating, and obtaining creative inspiration. He learns from the past without mud, innovates boldly, and after repeated tempering, gradually forms an artistic style of rounded pen, smooth lines, natural and elegant, and creates a large number of outstanding works that are praised by people, and is highly praised by older artists such as Fan Zeng, Ouyang Zhongshi, Zhang Hai, and Shan Guoqiang. Mr. Fan Zeng mentioned during a lecture on Chinese studies at Renmin University that Gao Mingzhu was "writing with heart" and inscribed "poetry and books are both excellent" as a gift. In the preface of Gao Mingzhu's Da Hong Pao album, Mr. Quan Xijun wrote: "Mr. Gao Mingzhu's calligraphy, from the perspective of brushwork, ink use, layout, and composition, is rigorous but not rigid in layout, agile but not disorderly, and freely flowing in cursive style. The ancient charm is long and strong, and the combination of softness and hardness is harmonious. The brushwork is varied and elegant, with both a strong and vigorous spirit and a gentle and elegant charm, inheriting tradition between the lines and lines, and creating new insights beyond the limits of the law. It truly achieves the unity of ideological, artistic, and ornamental qualities, and has a dual fragrance of morality and art. It has the style of a famous calligrapher and can provide useful inspiration for other calligraphers to improve their creations." Ouyang Zhong. Mr. Shi also gave insightful comments on it
Gao Mingzhu's calligraphy: "Looking at his calligraphy works, they make people feel new but not thin. In terms of the 'Hongtu Guoyun', they are elegant but not charming, and the works do not lose their regularity. The few character works do not lose their grandeur, the combination of softness and rigidity, the combination of grandeur and magnificence, the fullness of flesh and blood, and the natural structure. They learn from the past without being influenced by it, and seek novelty without being favored. This is what many ancient people have cast in their hearts, given pens, and integrated the strengths of hundreds of families into themselves." Mr. Shan Guoqiang wrote in his article "The Radiance of Yi Bi: Reflections on Gao Mingzhu's Works": "Appreciating Gao Mingzhu's calligraphy works, one will involuntarily be struck by a powerful literary spirit. Deeply attracted. Especially his numerous cursive works, they are even more breathtaking! The first part of the book is based on the Two Kings and the Minan Palace, and then it not only deeply understands the brushwork of ancient sages such as Huai Su, Zhang Xu, and Mi Fu, but also incorporates the brushwork of Mao style calligraphy. This is truly a reflection of their brushwork, not just their appearance, not their adherence to ancient techniques, and not their own opinions, but just living The calligrapher Gao Mingzhu, who draws on the strengths of others, blends the wildness of the hair body with the charm of the two kings in his cursive style, capturing the brushwork of the Minan Palace with ease and liveliness. His ancient charm is long and gentle, and is appreciated by both the refined and the popular, creating a new generation of cursive style. Calligraphy directly incorporates all natural phenomena into the book, with grandeur and unique craftsmanship. Its works are grand and elegant without losing solemnity and elegance, graceful and elegant without losing richness and stability, and full of pain and emotion without losing regularity and regularity. It can be said that stillness is mixed with stillness, using stillness to move, stillness to move beauty, the motive is stillness and vitality, infinite charm and power, extraordinary aura, beauty beyond measure, with the momentum of rolling winds and clouds flowing for thousands of miles, forming a unique whole. Mr. Yushan, a contemporary critic, praised Gao Mingzhu's calligraphy as follows: "Gao Mingzhu's cursive script takes the boldness of the Mao style, blends the strength of the two kings, captures the sense of danger of the Minan Palace, and the strokes are gentle and smooth, free and natural, with a sharp edge. The ink lines turn inward and outward, opening and closing wide, exposing the front to express its spirit, hiding the front to cover its momentum, and the characters are inclined, reflected, and restrained
Backward, inclined, and staggered, connecting the beginning and end, echoing up and down, arranged vertically and horizontally, jumping back and forth, with an unstoppable flow. Underneath the entire text, it flows endlessly, like a river meandering around Fangdian, flowing proudly and freely. The strokes of the brush and ink move rapidly and crisscross, like thunder and lightning, the wind rolls away the remnants of clouds, the characters leap like dragons and tigers, startle snakes into the grass, and birds into the forest. However, when the brush is closed, it moves forward without hesitation, without drooping or shrinking. In addition to weeding books, Gao Mingzhu's cursive script is thick and rich, with a fresh style. The strokes of the characters are consistent with the rules and are novel and unique, presenting a beauty of elegance, simplicity, and elegance.
Teacher Gao Mingzhu is one of the top ten Mao style calligraphers in China in 2008, one of the top ten artists who moved China in 2009, and one of the top ten most popular online artists in China in 2011. In 2012, the CCTV Pioneer China Pioneer Reception Room gave a 30 minute special report titled "Son of the East: Gao Mingzhu"; In 2013, to commemorate the 120th anniversary of the birth of Chairman Mao, a gift was presented. 120 calligraphy works were successfully exhibited at the World Art Museum of the China Century Altar, and a 20 minute special report was given in the dialogue column of famous artists; In 2015, Tianjin People's Fine Arts Publishing House published and distributed 2000 copies of the "Collection of Chinese Modern and Contemporary Famous Calligraphers" Gao Mingzhu Scroll Big Red Robe album, which was distributed by Xinhua Bookstore nationwide. Awarded by the China Intangible Cultural Heritage Office as "China Intangible Cultural Heritage Publication" and awarded to Gao Mingzhu as "China Intangible Cultural Heritage Inheritor"; The China Intangible Cultural Heritage Art Committee named the "Gao Mingzhu Da Hong Pao Master Studio" after the "Collection of Calligraphy by Famous Chinese Modern and Contemporary Masters"; In 2017, Guangdong Radio and Television Station's Ancient Rhyme Talk program gave a special report on the topic of "Famous Chinese Calligrapher Gao Mingzhu"; In 2018, calligraphy works were presented as a national gift to the collection of the Prime Minister's Office of the Kyrgyz Republic. The People's Daily conducted an exclusive interview with Gao Mingzhu in the "Ancient Creation Today" column
A 10 minute special report titled 'Inheriting the Spirit of the ancients and ushering in a new era'; In 2019, the qualification certification of the Art Development Center of the Ministry of Culture was awarded as "Contemporary Famous Calligrapher", and the Professional Art Committee of the Chinese Culture and Art Center officially awarded Gao Mingzhu as "Master of Chinese Studies". In August 2020, Gao Mingzhu was awarded the title of "National Senior Calligraphy Master" by the National Senior Artist Title Evaluation Committee for the evaluation of calligraphy qualifications in the People's Republic of China. In 2021, the Lanting Font Library Project Working Committee decided to include the Gaoming Column font in the Lanting Font Library and named it "Lanting · Gaoming Column"; On December 18, 2022, the calligraphy works "The Great Wall" and "Ode to the Long March" created by Gao Mingzhu were respectively included in the National Cultural Park themed picture books "The Great Wall" and "The Long March"; In January 2024, he became a visiting professor in the Calligraphy Department of the Central Academy of Fine Arts. His calligraphy work, Mao Zedong Qinyuan Chun Xue, won the Excellent Work Award of the 16th "Five One Project" for spiritual civilization construction.
The calligraphy work Mao Zedong's "Spring Snow in Qinyuan" is engraved on the New Great Wall in Badaling, China. The works are included in "Decision making China Network · China Influential Figures Database", "Words from Famous Chinese Scholars", "Classic Nanyang", "Henan Figures", "China in Art", "Memory of the Republic", "New Flag of the Times", "Yearbook of the People's Republic of China", "Yearbook of Chinese Art", "Selected Works of Chinese Art", "Biographies of Artists", "Cultural Monthly", Sacred Hand "," Touching the World's Art Masters "," Classic Passing on: Master Style " Art Inheritance: Appreciation of Chinese Celebrity Calligraphy and Painting Works, One Generation of Fangjia: Appreciation of Nine Famous Artists' Art
Fifteen Most Innovative Artists of the Hundred Year National Essence "," Twenty Hall of Fame level Artists that Children Should Know in Their Lifetime "," Complete Works of Chinese Poetry, Calligraphy and Painting "," Chinese Art Saints - Qi Gong and Gao Mingzhu's Duo Collection "," National Cultural Park Theme Album - Collector's Edition "," National Academy Academician - Famous Calligraphy Academician of New China "," New China Poetry Encyclopedia "," Three Hundred Poetry Masters of New China "," Three Hundred Chinese Classics of New China ", etc.
（请横屏观看下幅作品）
（请横屏观看下幅作品）