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当我和你一起穿过田野来到河畔

我看到的河流更美丽

坐在你身边看云

我看的更清楚

你不曾把自然从我这里带走

你不曾改变自然对我的意义

你使自然离我更近了因为你的存在

我看见它更美好

—佩索阿·【拥有你以前

「和光同尘,静享岁月」

家,承载着我们的情感纽带与亲密关系,更是我们在喧嚣世界中最后一道坚实防线。设计,是规划之初尽显专业素养,在落成过程中确保严格可控,竣工之际则仿若浑然天成,悄然退隐设计痕迹,将生活归还于自然天成之境。“和光同尘,静享岁月”,这句话出自《道德经》,意思是不露锋芒,与世无争,与光和尘融为一体。一种宁静、平和的生活氛围,让人在忙碌的生活中找到内心的宁静,享受岁月的美好。

Home, carrying our emotional bonds and intimate relationships, is also our last solid line of defense in the noisy world. Design is the manifestation of professional competence at the beginning of planning, ensuring strict controllability during the completion process, and at the time of completion, it appears as if it is naturally formed, quietly fading away the traces of design and returning life to its natural state. The phrase 'share the same dust with light, enjoy the peaceful passage of time' comes from the Tao Te Ching, meaning not to show one's sharpness, to be at peace with the world, and to merge with light and dust. A peaceful and tranquil living atmosphere that allows people to find inner peace amidst busy lives and enjoy the beauty of time.

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The fireworks on earth are as usual, and all things are illuminated by light;

The place where light shines in is the place of life.

整个空间通过设计梳理,勘测现场、观察内外环境采光,围绕“光”与“雅”去构建空间秩序,和材质细节递进氛围。

The entire spatial design constructs a spatial order around "light" and "elegance" by surveying the site, observing the inside and outside, and progressively creating an atmosphere with material details.

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【户型结构梳理】

结构上调整我们的行走楼梯链接自然光线,通过多空间的交互让曾经黑暗封闭的负楼层成为沐光之所,瑜伽、运动,娱乐观影,回家仪式感,外入户的退让仪式,内部的收纳分区……让家于功能里美丽。

Structurally adjusting our walking stairs to connect with natural light, through the interaction of multiple spaces, we turn the once dark and enclosed negative floor into a place for bathing in light. Yoga, exercise, entertainment, movie watching, homecoming ceremony, retreat ceremony for outdoor entry, internal storage partition... make the home beautiful in function.

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上下滑动浏览平面布置图

因为改善了负楼层光照,就释放出一层的厨餐区移到有光的负一层,让我们的一层成为独立开阔的家人共享时光的美丽起居厅,设置的水吧小餐区更是妥帖了每层楼的日常。

Because the lighting on the negative floor has been improved, the kitchen and dining area on the first floor has been moved to the bright negative floor, making our first floor a beautiful living room for families to share time independently and openly. The water bar and small dining area set up on each floor is even more suitable for daily life.

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二层巧融合阳台露台,让老人和儿子各安其所,还释放出了与一层的交互挑高空间。三层随着流畅的楼梯拾级而上,大幅的窗可观江景,也打造出一处静坐阅读区。

The second floor cleverly integrates balconies and terraces, allowing the elderly and son to settle down in their own places, and also releasing the interactive elevated space with the first floor.Ascending the third floor with a smooth staircase, the large windows offer a panoramic view of the river and create a quiet reading area;

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设计师空间留影

自然、优雅、艺术

舒适、健康、实用

是岭众联合-田艾灵设计的平衡空间美学法则。

去观察空间自身特性,倾听居者需求,创造空间与人的美好链接,成为未来之梦想居所留在人们身边——是田艾灵想要给予业主朋友的。

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岭众联合-田艾灵设计

创意就是创造空间与人的记忆

用泛艺术化的设计理念

构造自然、艺术、优雅的平衡空间美学

01. ART ELEGANCE

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Elegant, harmonious, refined, balanced and comfortable

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整个空间追求自然写意纯净之感,细砂的整体墙面铺陈全屋的质感底色;精细的雕刻柱托勾勒出细节的精致,特殊形体量体裁衣的柱形区分拉出空间迂回里开阔通透感;木色的递进转换、天然石材的细腻变化……在大空间里书写层次。

The entire space pursues a natural, freehand, and pure feeling, with fine sand walls covering the texture and background of the entire house; Fine carved column supports outline the exquisite details, and the specially tailored column shapes distinguish the space and create a sense of openness and transparency; The progressive transformation of wood color, the delicate changes of natural stone... Write layers in a large space.

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以纯白的基调为整体的背景,以原始的硬装材质造型细节,来烘托出软装的精致材质细节,清透干净的棉麻质地窗帘将光线很好地引入室内,与花园景色相互融合,在干净空间的衬托下引景入画,借户外景色与生活互动为空间添彩。在布置的视觉层次上,着重展现界面的和谐与统一,微风袭来,摇逸的树叶光影绰绰,让光、景与室内过渡至最佳状态,让在空间的人感受到和光同尘、如沐春风的感受。

The overall background is based on a pure white tone, and the exquisite material details of the soft furnishings are highlighted by the original hard furnishings. The clear and clean cotton and linen curtains bring light into the interior, blending with the garden scenery. Against the backdrop of a clean space, the scenery is drawn into the painting, adding color to the space through the interaction between outdoor scenery and life. On the visual level of the layout, emphasis is placed on showcasing the harmony and unity of the interface. The gentle breeze blows and the swaying leaves create a graceful light and shadow, allowing the light, scenery, and interior to transition to the best state, allowing people in the space to feel like they are in the same dust as light and basking in the spring breeze.

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02. ART

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Artistic innovation explores aesthetic value and cultural attributes

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色彩肌理感的地毯承接了空间中硬装与软装的衔接作用,将地砖的不规则色块巧妙的融入到地毯中,通过色彩的变化过渡到家具当中。直排沙发配双人位和单人位的沙发设计,材质肌理与花纹的相互点缀融合,轻透感的灯具材质在空间中通过材质肌理变化显得精致而熠熠生辉,形成空间主要的社交场地,满足了一家三代的不同使用需求。实现人、空间、自然的和谐共生。

The carpet with a sense of color texture connects the hard and soft furnishings in the space, cleverly incorporating the irregular color blocks of the floor tiles into the carpet and transitioning into the furniture through color changes. The design of the straight sofa with double and single seats, combined with the mutual embellishment of material texture and pattern, can blend together. The light and transparent lighting material appears exquisite and shining in the space through material texture changes, forming the main social venue of the space and meeting the different usage needs of a family of three generations.Realize the harmonious coexistence of people, space, and nature.

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餐厨区域的布局运用回游式环形路径与全开放式厨房岛台无界理念相融,圆餐桌的材质延续了客厅中的材质肌理,优雅的曲线餐椅造型与Visual Comfort的分子灯融合呈现出精致优雅的氛围,彰显居住者的高雅品味。

The layout of the dining area combines a circular path with the concept of a fully open kitchen island without boundaries. The material of the round dining table continues the texture of the living room, and the elegant curved dining chair shape blends with the molecular lamp of Visual Comfort to present a refined and elegant atmosphere, highlighting the elegant taste of the residents.

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03. NATURE

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The natural internal and external interaction

of light captures the qualitative temperature

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软陈用中性低饱和色融进大空间,棉麻和纹理在品质里书写,不多不少达到“增之一分则太长,减之一分则太短;著粉则太白,施朱则太赤”的恰到好处。

Soft Chen blends neutral and low saturation colors into a large space, while cotton, linen, and texture are written in quality, achieving the perfect balance of "adding one part too long, subtracting one part too short; applying powder makes it too white, applying vermilion makes it too red".

进入玄关仪式感的主卧,实木细节的转折间,让岁月在此闲雅中浪漫,自然光缓缓斜入,释放一切的疲惫……

Entering the master bedroom with a sense of ceremony in the entrance, amidst the twists and turns of solid wood details, let time be leisurely and romantic here. Imagine the weekend light slowly slanting in, releasing all exhaustion

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后记

关于再次选择的小故事

业主朋友是再一次的选择我们,之前他们在北京工作生活,委托田艾灵完成了他们在重庆的上一个家、入住后非常满意。当他们购置了这次的家宅后理所当然再次找到我们,但因为别墅体量的构建设计和落地工作量大,和之前多年的花园洋房设计费比多了不少,他们决定先找一家设计费低很多的,但是施工落地还是会找我们执行更放心。待半年之后,业主朋友回来了,本以为是商量施工落地的事情,结果告诉我们:“折腾了半年,选的那一家公司设计每交流一次就焦虑一次,完全没有上一次和你交流的舒畅放心,我决定了以我余生之年就当为每年投资一万的幸福价值买单,你的设计费值得。”

最终将设计、全案全权委托给我们,并不断的被表扬、留下不少让我们被激励的记录,分享一二

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在此,衷心感谢业主一家在整个过程中给予的全权信任,以及在居住期间所给予的愉悦反馈。

Here, we sincerely thank the homeowner's family for their full trust throughout the entire process and for the pleasant feedback they provided during their stay.

项目信息

Information

项目地址 | 新江与城 · 天越

Project Location:Xinjiangyucheng ·Tianyue

项目设计机构 | 岭众联合-田艾灵设计

Design Company:Elin Imperial Institute of Design

艺术总监 | 田艾灵

Artist Director:Erin Tian

主案设计师 | 田艾灵

Chief Design:Erin Tian

项目类型 | 全案设计

Project Type | Full Case Design

软陈设计及产品 | 桓墅空间艺术设计机构

Decoration Design:HERTRUE ART DESIGN

施工单位 | 十二分装饰

Construction Unit:PERFECT DECORATION

摄影团队 | 边界人摄影

Photography Team:BIJISPACE

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田艾灵 (Erin Tian)

岭众联合-田艾灵设计

设计主理人|艺术总监

Elin Imperial Institute of Design

Design Manager|Art Director

十二分空间设计&桓墅软装艺术

创始人 | 艺术总监

PERFECT DECORATION&HERTRUE ART DESIGN

Founder|Art Director

泛艺术化设计理念,由田艾灵提炼而出:不以具体风格论来构思设计思路起点的空间设计理念。

它主要表现为把中西、古今的艺术经典,借用设计技术语言,运用进入实用空间设计里;消融艺术与人们实际生活影响的绝对界限,保留艺术不用很多语言就能触动情绪的基本精神气质,追求不随潮流迭代的审美持久性,构建当代人与空间环境更直接的感官关联触达。做真正为人所能顺畅使用,引起艺术、情绪共鸣的设计!

The pan-artistic design concept is refined by Tian Ailing: a space design concept that does not use specific style theory to conceive the starting point of design ideas.

It mainly manifests itself in incorporating Chinese and Western, ancient and modern art classics into practical space design by borrowing the language of design technology; dissolving the absolute boundaries between art and people's actual life, retaining the basic spiritual temperament of art that can touch emotions without using many words, and pursuing The aesthetic durability that does not follow the iteration of trends builds a more direct sensory connection between contemporary people and the spatial environment.Make designs that can truly be used smoothly by people and arouse artistic and emotional resonance.

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